11 1 Lob 

'52> 



. XOA I.l.S" 




Book oi Si itcmks. 



1 'IxMCK. KIl'^'l^EEN CM':ni^ 




1-. I\(;.\r-LS, PI'HLISIIKK. 
Lvnii, Ma»i« 



Ladies' Fancy Work! 

Have you got INGALLS' SSJJVYf 

And Special ^Vliolesale Price List 

of 81LK, Fki.t and I.inex Sxa>mi'j:d (iooDs. Kan< ^ 
WOHK Matkriai.s, Stamping 01 ti-its, Hkii;«;s" 

TkANSFEK I'ATTKKXS. FAN( Y WoUK l'>OOK.S. l-tV. 
Price 10 <'eiits. It is Ftiiefi/ Illustrated, contains 
lots of XcAV <iioofl.<i. and pricea are loutr t/imt rver. 
Special Offer : — ^^'^' %vill send this <'atalogiie 
FREE to any addix-ss for One tJ-Ceiit Stamp. 

CRAZY Patchwork! 

r\^ SKKIA'S Imported Enihroi.lery Siil<, </>- 
/^ m\ ■''"''^^■4 f^'olors. for lt>c. t|."» skeins Imported 
r^y.J Floss, assorted colors, for 17c. 35 sl<eins 
Shaded Enihroiilery Sillc. assorted colors, for 20c. 
A i)acka^e of Florence Waste Embroidery Silk. «.<- 
sorted colors, for 2t>c. A i)ackajie of PIn.sh and Vel- 
vet Pieces for I'razy Patchwork, for JSOc. A package 
of Rihhon Keninants for 30c. A packaue of Satin 
and Silk Pieces, assoited colors, with Sprai/s of Flotrers 
and Outline Desiqns stamped on them, for 40c. 
Address J. F. IA'<>AL.r..S, Lynn, Mass. 



INOALr^S' 



BOOK OF STITCHES 

1887 EDITION. 



TERMS USED IX KNITTING. 

To Cast On. — The first interlacement of the cotton on the neec'le. 

To Cast Off. — To knit 2. stitches, and to pass over the second, and so 
on to the last stitch, which is to be sfcuroil bv ilrawin^' the thread 
through. 

To Cast Over. — To bring the cotton forward round tlie needle. 

To Narroiv. — To lessen by bringing two stitches together. 

To Seam. — To knit a stitch with the cotton before the needle. 

To Widen. — To increase by making a stitch, bringing the cotton 
round the needle, and knitting the same when it occurs. 

A Plain Roxv. — That composed of simple knitting. 

To Purl. — To knit with the cotton before the needle. 

To Rib. — To work alternate rows of plain and purl knitting. 

A Loop Stitch. — Made by bringing the cotton before the needle, 
which in knitting the succeeding stitch will again take its own place. 

To Slip or Puss (I Sfitc/i. — To change it from one needle to the other 
without knitting it. 

When it is requisite to cast olT, and continue a row on a separate 
needle, run a coarse thread through the cast ofT stitches, as they are 
easily taken up when retpiired. — Household. 



TERMS USED IN CROCHET. 

Chain Stitch. — Chain stitch begins all work, and continues to draw 
the thread through until the chain is long enough. 

Short Stitch. — Keep one loop on the needle, put the needle into the 
stitch and draw the thread through it and the loop at the same time. 

Single Crochet. — Put the needle into the stitch, and draw the thread 
through it, and then put the thread over and draw through both loops 
together. 

Long Crochet. — Put the thread over needle before you put it into the 
work, draw the thread through work, then thread over and through 
two loops, and again thread over and through two loops. 

Open Crochet. — Make one long crochet, then one chain stitch, and 
omit orJpass over one stitch of the work, make one long crochet into 
next stitch. 



CRAZY PILLOW. 

A crazy or autograph pillow is a piece of common cotton canvas, 
the size you want your pillow, which you pass around among your 
friends, letting each one work something on it. Each one contrib- 
utes her mite, anything and anywhere she chooses, and when all have 
worked, the owner fills it in, and finishes it the same as any other sofa 
pillow. Some nice patterns for crazy pillows will be found in our 
book of loo Worsted Cross-Stitch Patterns; price, 25 cents, by mail. 




itt-^U.S luR A PIANO COVER OR TAUl.K Ll.ulH. 



DESIGN FOR A PIANO COVER OR TABLE 

CLOTH. 

This engraving reprCvSents a very handsome design for 
a table spread, piano cover or stand cloth. The model 
from which this illustration was copied is made on garnet 
wool canvas, with a rich, gold-colored floss, and is prob- 
ably as effective a combination as can be suggested. 
However, personal taste, and the prevailing tint in a room 
where the article embroidered is to be used, must direct 
combinations. It is not necessary to use canvas, as cloth, 
felt or Canton flannel maj' be preferred; but the meshes 
of the canvas will be found of great assistance in following 
the pattern with regularity of stitch. The work is all 
don^ in a long back-stitch, or sort of Kensington stitch, 
and is extremelv effective. 



Stitches and Foundation Fabrics. 

A. LIST and explanation of the fobrics and working ma- 
terials used in embroidering fancy articles, hangings, 
coverings, tidies, etc. Also, directions for and illus- 
trations of various stitches. With the exception of 
two or three, the stitches are all variations of the 
cross-stitch, and are generally familiar, although 
there are many to whom they yet remain an unsolved 
mystery. The Alpha of all stitches is probably the 
"Gobelin," or " tapestry" stitch, but it is one which 
should not be taken up first by the beginner, for 
various reasons. We will proceed to describe the 
ordinary stitches. 



f 



SOlTIi KKNSIN(iT(»N SI ITCH. 

At South Kensington. Eng- 
lanfl, some ladies of the no- 
bilitv have established an art 
school, in which all stvles of 
needle-work, antique and 
modern, are taught. One or 
two of these stitches have 
taken quite a hoLl upon the 
affectioTis of the embroidery- 
loving woman, and for the 
want of a better name each 
is called "South Kensing- 
ton Stitch." It will thus be 
seen that the article "a" is 
the appropriate one to use, 
and not " the," since there is more than one stitch belonging to the 
South Kensington School. The stitch, however, which has gone abroad 
in printers' ink as the South Kensington, is clearly illustrated by 
the engraving. It will be seen that it is nothing more than a back- 
stitch, the stitches being made to fit in between each other with no 
special regularity, except to produce perfect shading. The outline of 
the design is stamped, and must be perfectly even w hen worked ; but 
the interior of the petal or leaf is to be filled in according to the shape, 
and shaded to the taste, or the pattern if there be one to copy. Eng- 
lish crewel is the proper working worsted for this stitch. Another 
stitch, known in the school n\entioned as the " Stem Stitch," is herx; 
called th^ " Outline." 




-«- 



'^•^*- 



SDUJH KENSlN(iTON OUT- 
I.INK STITCH 

It cunnot be clearly ex- 
plained ill words, but 
mav be comprehended at 
once by inspection of the 
engraving. It forms an 
unbroken outline, which 
appears like a finely 
twisted silk cord. It is 
ve ry ■ effective on satin, 
and is used for such de- 
signs as statuary with 
flowing draperies, Cupid, 
game, etc., looking when 
finished, like a fine pen and ink drawing. One panel done on old gold 
satin, with dark olive embroidery silk, is exquisite. There is no filling 
in or Shading; it is simply the outline that is followed; and also the 
strokes which would be made Avith a pen to represent drapery, or any 
of the other details of an unshaded sketch. It is very effective in fo- 
liage, butterflies, animals, etc., and may be made on almost any article 
of fancy work, as well as used for marking linen. 




SATIN STITCH 



Is done in all sorts of flosses, embroidery silks, zephyrs and crewels, 
and upon silk, satin, velvet, cloth and canvas. The pattern must be 
stamped and then " run"' along all the lines with silk or worsted, and 




SATIN STITCH. 





DKRIGNS rOR FF.ATHKR STITCH. 



nch leaf and petal, if of 
^'ood si/c, must be crossed 
ami reerossed with the 
same, all before the real 
< 'nliroidery bef,Mn.s. There 
11 list be HO break in the 
' liufe of a leaf or petal, and 
' iiiise(]uently each stitch 
iiist be carefully and even- 
ly set. In leaves, such as 
the one shown in the illus- 
tration, tlie center is defined 
by the meeting of the Ktitchc«, 
which must be exactly even. 
^ Satin stitch is simply an 
_j over-and-over stitch, and 
vjenerally both sides of the 
,^ work look almost equally 
: well. 



DKSKJNS FOR FF.ATHP.R 
STlTell. 

These two designs are 
very pretty for fastening the 
edges of ribbons or strips 
of contrasting fabric to posi- 
tion, or for outlining bor- 
ders, hemming flannels and 
embellishing fancy work 
generally. It is done by the 
chain stitch movement, and 
is verv simple. 




CROS.S-STITCH. 

This is the first to be learned in doing 
canvas work. It is made hy a back- 
stitch movement, with the needle always 
pointing to the left, as will be observed in 
the illustration, except sometimes in 
CROSS-STiTCii. changing tlie direction of the design. 

Of Java or ordinary canvas two threads each waj is the limit for the 
stitch, one-half of which crosses diagonally from left to right and the 
other half in just the opposite direction. Each stitch is completed 
before the next is commenced, although in some instances a line of 
half-stitches may be made from left to right and the other halves fin- 
ished in the opposite direction. The result is the same, but the effect 
is not so smooth, and conseauentl^- not so accurate. 




PERSIAN CROSS-STITCH. 



PERSIAN CROSS-STITCH. 

It is suid that in the irregularity of this 
stitch, and the Oriental colors selected 
for it, consists its beauty when it covers a 
design. By varying the length of the 

stitch, almost any design may be copied. 

The silk or worsted is carried across two 
threads of the ground for the first half of the stitch, and is then 
brought up between the two threads and the cross is made over the 
upper half of the long stitch. The illustration will clearly explain 
the method and eti'ect. 

TENT STITCH. 

Tliis is simply a short stitch made over 

a single crossing of the can\us threads 

and all slanting from right to left, four 

tent stitches occupying the space of an 

ordinary cross-stitch. It produces a very 

TENT STITCH. fine grounding, and must be carefully 

and evenly done. The movement is the same as in the tapestry stitch, 

as will be seen by referring to the engraving, which illustrates " tent" 

stitch perfectly.-. 





It is in this siitih that the old hangings 
unci pictures, now so valued from their 
antiquity, were made. Although very 
simple, only those having some knowl- 
edge of the art of painting should at- 
tempt anything in this stitch, as the shad- 
ing must depend upon the eye and not 
upon a counting of the stitches. Many 
TAPESTRY STITCH. of the old designs were painted upon the 

foundation canvas, which was of great assistance to the worker; and 
we presume that some of the decorative art societies who are making 
a revival of Gobelin tapestry a specialty, would be able to furnish the 
same style of design. An artist in tapestry work can copy accurately 
from an oil-painted picture, with only the eye directing the coloring 
and shading. As we have before mentioned, four threads of canvas — 
two each way — mark out the space of one ordinary cross-stitch, and 
in this space two tapestry stitches are made. They are worked from 
left to right, crossing four threads in height and one in width, with a 
back-stitch movement, bringing the needle out toward the worker at 
the bottom of the line upon which she is working. The picture illus- 
trates clearly the etfect and the method of making tapestry stitch. 







l^T^ 


TCTJ^iraQ] 


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STAR .STITCM. 

There are four varieties of 
this stitch, which is seldom 
used to delineate a design, un- 
less upon coarse net or rail- 
STAR STITCH. road canvas, for which the or- 

dinary cross-stitch is not heavy enough. The illustrations delineate it 
very plainly, making it unnecessary to give a special description of it. 




IRISH STITCH. 

This is a " filling in" or " grounding" stitch, 
and is made with alternate long and short back 
stitches, the short stitches of one row commenc- 
ing at the ends of the long ones on the row 
above. It is generally done with zephvr, which 
is not too thick, as every perpendicular thread 
of the canvas is not over-worked — only the 
IRISH STITCH. spaces between. The engraving will give you 
the proper idea of the effect and the manner of working. The Ger- 
man stitch is done in precisely the same way as the Irish, except that 
the stitch crosses the canvas diagonally. By exercising a little judg- 
ment and ingenuity, it will be seen that the worsted need only cover 
the surface. In doing it the regular way, the under side, as well as 
the upper, is covered with the zephyr, a method which many condemn. 





HEM STITCHING. 



HKM STITCHING. 

For handkerchiefs, linen-lawn col- 
lars and cuffs, the ends of neckties, 
scarfs, etc., hem stitching is much 
used. A. few threads are drawn out 
of the article to be finished, where the 4 



hem is to be felled; and the felling is 
then done. After this, the ravelled or drawn space is separated into 
little spaces by knotting a few of the threads together at regular inter- 
vals with fine floss or cotton, and then the side next the felling is sep- 
arated into extra spaces by dividing -with a sort of back-stitch taken 
through the knot, each cluster being first knotted together. A close 
inspection of the picture and a little ingenuity will enable one to easily 
hem-stitch any article desired, better than any Avritten instructions 
can direct. 




i««llfl 



/l;l I 




W f'l M) Si I icir. 



No. I. [am.na Stit(. II 







Nor. 3 & 4. KvoT Stitchkj 






Nos. 5, 6 & 7. Chain Stitches. 





Border No. 9. 



li)*ii^aiiiiMiiii,^;,jia,iillil,,l,i,;liil|||ijJli!l|;ll|ll,il||ij|llJij|i 
No. 8. Embossed Bi.tton-Hole or Tongur Stitch. 




Nos. 9, 10, Ti 51: T2. T"Inui)i:us. IX Ordinary HrTTrv TToTr Stitcit. 

l!|li!l|['i|!!'fiit[ii!l'!i'"^ 





t-It'ijFlUrl 



Nos. i;* ^^ 14. Orxamental Stitches for 
Flannkl ok Canvas. 




1 







JiXQD 





illliiJllllliiillllllliKiiiliiliililiillauiiJiiliiK 
No. 17. Oi'EN-\^'oRK Embroidery. 



No. I. Janina Stitch. 

This stitch is worked wholly on the suriace. except where the short 
back-stitch occurs along the outline, in making the stitches. A back- 
stitch is taken at each side, inserting the point at the next to the last 
thread and pushing it through to the outside again below the last 
thread. An examination of the picture will make this clear to the read- 
er, as the needle is set for one of the back-stitches described. The em- 
broidery is suitable for toilet articles, small mats. -and stand or table 
covers, and, in fact, for any purpose for which satin or any other sur- 
face stitch is used. Silk floss or English crewel is usedin this em- 
broidery. 

No. 2. Wound Stitch. 

This is a pretty stitch for embroidering grain, small leaves, or flow- 
ers having small petals. The accompanying design shows the method 
by which the cord is formed. After the needle is wound, the thumb of 
the left hand is held firmly over it until the needle is pulled through 
and the coil is firmly drawn in place. Two stitches only are necessary 
to form each kernel. The tiny stitches seen at thr? ends of the kernels 
may be lengthened to represent the barbs on real grain, if desired. 



No. 3. Co\'ERKn Knot Stitch. 
Knot stitches are mucli used iii enibroidcrint^ upon linen and cambric, 
and are usually done in linen and Moravian tlosscs. The pmrravinj^ of 
figure No. 3 represents one style of knot stitch made by takini; an ordi- 
nary back stitch, winding? the floss twice about the needle and then 
drawing the latter throuijh, with the left thumb held closely over the 
coil. Ihe needle point is then thrust to the other side, almost exactly 
where it came to the surface, so as to locate another knot. This stitch 
itt frequently adopted in making initials, handkerchief corners, etc. 

No. 4. Wound Knot Stitch. 

This is made as follows : The needle is set, wound, and drawn through, 

the same as in the first stitch, and is then thrust through the outride at 

the place indicateil by tiie dot above the needle. This draws the wound 

thread into the knot illustrated, which is just as pretty as its predecessor. 

No. 5. Plain Ch.mn Stitch. 
The engraving represents the old-fashioned, plain chain stitch, which 
is still used for many purposes, such as fastening the edges of appiiqnt' 
work, embroidering slippers, mats, stand-covers, etc. Each stitch is 
made in the same way as the one for which the needle is set. 

No. 6. Twisted Chain Stitch. 

This stitch is made on the same principle as the plain stitch, except 
that the needle, instead of being set back into the preceding stitch, is 
set at the left side of it. It is used along edges as headings to fringe, and 
sometimes to outline a design in Grecian or scroll work. Hems and 
tucks in flannel skirts may be stitched in this way in preference to ma- 
chine or plain hand sewing. 

No. 7. Vine Chain Stitch. 

This stitch is often used upon hems, as are both the other styles, and 
sometimes above bindings of ribbon. It is often used to complete plain 
blankets, flannel petticoats, little under-shirts, or any article for which 
it seems a suitable flnish. The stitches are made to the right and left 
alternately, and are longer and more open than the other varieties. 

No. 8. Embossed Button-Hole or Tongue Stitch. 
This style of stitch is much used in making borders on canvas or 
other materials, when fringe is to be the completion for the edge, and 
also in embroidering monograms and initials. Two rows of running 
stitches are made wherever the border is to be located, and over these 
the button-hole stitch is made. 



Nos. 9, lo. II AND 12. Borders in Ordinary Button-Hole Stitch. 
These four samples sliow as manv ditTercnt methods of settinj^ button- 
hole stitehes alont^ the edi^e of flannel, canvas, linen, or whatever fabric 
or article requires a border of this style. The elTects are produced hy 
chaiiLjini^ the direction of the needle when making the stitches. In 
doing fancy work, or bortlering any useful article that needs to be gay, 
shaded silk will be very effective in the leaf style illustrated. 

No. 13. IIerring-Bone Stitch. 

This is a scitch used for joining the seams of flannel in a flat manner, 
instead of by the usual wav. thus doing away with the ridge a fell 
makes. Being ornamental as well as useful, it is also used for decora- 
tive purposes, and is seen upon tidies, towels, and bands of applied rib- 
bons or fabrics. While the work is done from left to right, the needle 
is set in the usual way in a sort of back stitch. 

No. 14. Stitch for Flannel, or for Ornamental Use on Canvas. 
Although this stitch is illustrated upon canvas, where it is sometimes 
used in a decorative manner, it is especially adapted to flannels which 
require a neat finish and will not permit of an elaborate one. It can be 
done in white silk floss or in colored worsteds, as preferred. 

No. 15. Filling for Embroidered Scollops. 

The method illustrated for "filling in "scollops before the embroi- 
dery is done, is very successful in giving a rounded effect to the work 
when finished. The outlines are run, and then an under-filling, form- 
ed of chain stitching, is made in two rows between the outlining 
stitches. After this, the usual button-hole stitch is emplojcd to cover 
the filling and complete the embroidery. 

No. 16. Stem-Stitch. 

This engraving shows a style of stitch largely used in making over- 
wrought vines. The design is first run with floss, and then the work 
is done with a regular over-and-over stitch, which is clearly explained 
by the engraving. It is suitable for either white or colored embroidery, 
and is useful in vine patterns. 

No. 17. Open-Work Embroidery. 

This engraving is intended to illustrate the plan followed in making 

open embroidery, etc., and the stitch employed. The design is first 

marked or stamped, and then run with floss. Each leaf or petal is then 

slashed with a sharp scissors, and the material drawn back to the run- 

ing with an over-and-over stitch done with coarse linen floss. 



SPECIAL WHOJ.1.SALE PKICE LIST 

FANCY WORK MATERIALS 

Any person receiving this Special Price List can order 
goods at these wholesale prices. Cash must be sent with 
THE Orders. 

liest Silk Kensington Ariasene, per skein .... 3 cts., 12 skeins for 30 cts. 
Wool Arrasen^ — v<e do not keep it. 

Arrasene Shade Cards, 12 ct^^ 

Please select colors wanted of Chenille and Crewel from the Arrasene 
Shade Cards. 

Vienna No, I Chenille, per skein 3 cts., 12 skeins for 36 cts. 

No. 2 Chenille, per skein 2 cts., 12 skeins for 22 ct'^. 

English Crewels, per skein, 3 cts., 12 skeins for 35 cts. 

F"rench Embroidery C<.AUn\,fast colors, per skein, 2 cts., 12 skeins for 17 cts. 
Chenille for working >\\m^c, 'i shailes o^ redin each bunchy 20 cts. perbuncl:. 
Briggs' Shaded Enibroidery Silk, 10-yd, skeins 3 cts.. 30 cts, per doz. skeins. 

Briggs' Imported IHoss, t)-yd. skeins Sets., 30 cts. per doz. skeins. 

Briggs' hnpfd limbroidery Silk, 10-yd. skeins, Sets., 30 cts. per doz. skeins. 
Briggs' hnported Etching Silk, per skein . . 3 cts.. 30 cts. per doz. skeins. 

Briggs' Knitting Silk, per ball 30 cts., 4 balls for $1.00 

Briggs' Shade Cards, showing 300 shades and colors, 15ct^. 

Florence Embnjidery Silk, per skein 1 ct., 10 cts. per doz. skeins 

25 skeins any one shade, 17 cts. 
Florence Embroidery Silk, 10-yd. spools, per spool 5 cts., 50 cts. per do?. 
Florence Embroidery Floss, per skein . . . . 3 Cts.,35 cts.-pcr doz. skeins. 

Florence Etching Silk, per spool 5 cts., 50 cts. per do?. 

Florence Knitting Silk, per ball ."Jo cts.. 3 balls lor $1.<'0 

Florence .*-^hade Cards 15 ct-. 

Corticelli Purse Twist, *4 oz. spools, per spool 30 ct-. 

Corticelli Wash Silk, (3i>-j(/. spools,) per spool . 6 cts., 12 spools for 60 cl> . 

Order s/iadcs 'ivantcd froxt Florence Shade Cards. 
Utopia Linen Floss, /7//t77/('/w, per skein . . . . 3 cts., 12 skeins for 35 cts. 

Braidine, per skein 3 cts., 12 skeins for 30 cts. 

(icrmantown Vani, all colors, per skein 17 cts. 

Best .Saxony Yarn, per skein 17 cts. 

Zephyr Worsted, Single. Doitble. or Split, all colors, . . . . 10 cts per lap. 

(A lap is the same qiiantity,that used to be called an oimce.) 
Single Zephyr, by the knot let, per knot. 



7 



r 



LIBRARY OF CONGRESS 



Florence .S7/<7</t-(/ Kiubniideiy Silk. I HIIH I II Hi I llll l|I|||||||; {||| || Ml ,; 

assorted colors (sold only ir r\ r\^ * 

Imported Embroitlery Silk, <r-wr/f, U 014 524 269 1 

Ininorted Floss, assorted colors. i)cr . 

Oakdale Twine, 4 oz. balls, tt«/Vtv?t//dv/fl;//)'. per Ua.: , — 

2 balls for 40cts. 
Colored Oakdale Twine, 2 oz. balls. Dark and Light Red, Light 

Blue, Drab, Yellow aiKK)la Gold, per ball, 15 cts. 

I Ve pay fast age. 
The " Oakdale" Twine is the best twine to use for making Twine Tidies. 

I A nice OIJ \l MITTCMQ "l^ colors, ^vorkcd backs, knit from 
LMUILO OjLIV lllll IlIIO) Ilorence Knitting Silk, per pair f2.0(». 

Linen Macramd Twine, colors cream or gray, per skein 25 cts., 80 cts. per lb. 
Postage 10 cts. per lb. extra. 

Macram^ or Crochet Hooks, each 10 cts. 

Fancy Cord, Red and Gold, LJlue and Gold, Pink and Gold, etc., 

per vd 15 cts. 

Chenille, Cr.wel, Kensington and Worsted Needles, per paper ... 10 cts. 

nri X (/*(3j^rtj^'-c' /*^/V/) :—>^ yard wide, per yard 35 cts. 

iLLI 1 yard wkV, per yard <i5 cts. 

1, '2 yards wide, per yard 00 cts. 

2 yards wide, per yard JI.20 

Our Felt is the best English Felt Cloth, superior finish, extra weight. 
We will send samples of our Felts for 4 cts. 

Oni n PPI T *^'^'^*^^ ^^"^ trimming, etc., 32 inches wide, per yard . . $1.50 
UULU iLL I A part of a yard at same rate. 

CMDDninCDV I IMCM for Splashers, Tidies, Doilies, etc., 

tlVlDnUIUtril Lmtll 18 in. wide, per yard .0 cts. 

40 in. wide, per yard 40 cts. 

DARNED LACE NETSi":"S;rerJ-': :;::::: :«£ 

Linen Floss, white, per skein 3 cts.. 12 skeins for .'$5 cts. 

Scrim, for Drarvn \\'ork\ 40 ///. -aide, color, Dark Cream, per yard 27 cts. 
Ribljon Canvas, {sec illustration) per yard .• 37 cts. 

18 inches wide, colors, Blue, I<cd. 

Gold, Orange, Vellow, Olive, Ecru, 

per yard 65 cts. 

Dl IIQU -^ inches wide, co\or%, Peacock Blue, Old Gold, Reds.' 

I LUdlli per yard ;?2.(Mt. 

A part of a yard at same rate. We vrill send large samples of our Plushes 
for 10 cts. 

ADDFIESS AT.r>, ORDERS TO 

J. F. INCALLS, Lynn, Mass. 



\ 



IMPORTED SILK PONGEE. 



